Forge plates, bowls and cups in several finishes from above on a deep teal groundForge stoneware platters and bowls from above on a lavender groundA Mustard serving bowl and a Cocoa bowl with wooden servers from above on an olive green ground

finishesGlaze & clay

Glazes mixed by hand. Fired at cone 5/6. Made to live with the food.

Finish & ground

Each finish has a ground

Three are glazes. Light Speckle and Dark Speckle are two clay bodies, cream and smoked, under a warm white glaze. We shot each against its complement, the color opposite it on the wheel: Terracotta on teal, Mustard on lavender, Cocoa on olive. The ground makes the color read truer.

A Mustard oval platter, a Cocoa bowl with wooden servers and a Light Speckle tray from above on an olive green ground
N° 01 · Available across the line · On olive

Cocoa

A deep, matte, earthen brown. The closest glaze in the line to the unglazed clay underneath. Reads warm in daylight, dark and serious in evening light. The most-ordered glaze among hospitality buyers.

Family
Matte earth-tone
Finish
Matte
Pairs with
Light Speckle, Mustard
Shop Cocoa →
N° 02 · Available across the line · On teal

Terracotta

A warm, matte, earthen orange-red. Pulls toward rust in shadow and toward sunset in direct light. Reads complex in daylight, deep in evening light. The Pho Bowl is fired in this glaze by default.

Family
Matte earth-tone
Finish
Satin, varied
Pairs with
Cocoa, Light Speckle
Shop Terracotta →
A spoon in a pale bowl among Forge plates, bowls and cups in several finishes, from above on a deep teal ground
Forge stoneware platters and bowls from above on a lavender ground
N° 03 · Available across the line · On lavender

Mustard

Warm honey-gold. Holds visual weight against darker neighbors at the table. Works as the warm note in a cool palette, the calm note in a warm one.

Family
Matte earth-tone
Finish
Matte, slightly varied
Pairs with
Cocoa, Dark Speckle
Shop Mustard →
N° 04 · Clay body · On wine

Light Speckle

A cream clay body under a warm white glaze. Natural minerals in the clay bloom through the glaze in the firing, so no two pieces speckle alike. The body stays pale cream, the flecks read dark against it. Quiet, daily, endlessly usable. The neutral that shows everything else off.

Family
Speckled stoneware
Finish
Satin, naturally varied
Pairs with
Cocoa, Terracotta
Shop Light Speckle →
A Light Speckle tray with a pink peony beside a Mustard bowl and a blue pale grey plate and bowl on a burgundy ground
A Dark Speckle place setting with a linen napkin and wood-handled cutlery, from above
N° 05 · Clay body · On ochre

Dark Speckle

A second clay body, darker than Light Speckle, under a warm white glaze. The body fires to a smoked brown, and the minerals in it bloom through the glaze. Pulls weight against pale linens and lighter ware. The grounded note in the set.

Family
Speckled stoneware
Finish
Satin, naturally varied
Pairs with
Mustard, Terracotta
Shop Dark Speckle →
N° 06 · Off the line

Sage

A green-grey with a glossy finish. Originally launched in the 2024 collection, and now off the line while we reformulate it for more consistent firing. Sage proved difficult to fire consistently, with too much variance between batches for the standards we hold the line to.

We will return Sage when we can hold it to the same dimensional and color tolerances as the rest of the line. Estimated relaunch: fall 2026.

Sage waitlist

We'll email you once, when Sage returns.

A Sage bowl and plates in dappled sunlight under a palm shadow
On the process

Glazes are mixed by hand, in small batches.

Every Forge glaze is tested before it earns a place in the line. Formulas run through dozens of test tiles, fired alongside production, until the color, the fit to the clay, and the wear all hold.

Batches are mixed small enough to use within a single production cycle. There is no master vat. Every order is fired with glaze mixed in the past few weeks. This is what lets us retire and relaunch glazes like Sage without carrying dead inventory.