— GLAZES / 001

Six glazes.

Mixed by hand. Fired at cone 5/6. Made to live with the food.

EST. 2024STONEWARESAN DIEGO
— N° 01 / OBJECTS AVAILABLE ACROSS THE LINE
Cocoa
FIG. 1 — COCOA / FREYA DINNER BOWL
— N° 01

Cocoa

A deep, matte, earthen brown. The closest glaze in the line to the unglazed clay underneath. Reads warm in daylight, dark and serious in evening light. The most-ordered glaze among hospitality buyers.

FAMILY Matte earth-tone 
FINISH Matte
FOOD Best with light food
PAIRS WITH Light Speckle, Mustard
SHOP COCOA →
— N° 02 / OBJECTS AVAILABLE ACROSS THE LINE
FIG. 2 — TERRACOTTA / PHO BOWL
— N° 02

Terracotta

A warm, matte, earthen orange-red. Pulls toward rust in shadow and toward sunset in direct light. Reads complex in daylight, deep in evening light. The Pho Bowl is fired in this glaze by default.

FAMILY Matte earth-tone 
FINISH Satin, varied
FOOD Especially with greens, broths
PAIRS WITH Cocoa, Light Speckle
SHOP TERRACOTTA →
— N° 03 / OBJECTS AVAILABLE ACROSS THE LINE
Mustard
FIG. 3 — MUSTARD / EMELINE DINNER PLATE
— N° 03

Mustard

Warm honey-gold. Holds visual weight against darker neighbors at the table. Works as the warm note in a cool palette, the calm note in a warm one.

FAMILY Matte earth-tone 
FINISH Matte, slightly varied
FOOD Excellent with deep greens and reds
PAIRS WITH Cocoa, Dark Speckle
SHOP MUSTARD →
— N° 04 / OBJECTS SOLD OUTRETIRED FOR 2026
Sage
FIG. 4 — SAGE / ARCHIVE PHOTO
— N° 04 / SOLD OUT

Sage

A muted, dusty green. Originally launched in the 2024 collection and now retired through 2026 while we develop a more stable formulation. Sage proved difficult to fire consistently, with too much variance between batches for the standards we hold the line to.

We will return Sage when we can hold it to the same dimensional and color tolerances as the rest of the line. Estimated relaunch: late 2026 or early 2027. Subscribe below to be notified when Sage returns.

STATUS Sold out
— SAGE WAITLIST
Be notified the moment Sage returns to the line. We'll send one email, no other marketing.
— N° 05 / OBJECTS AVAILABLE ACROSS THE LINE
Light Speckle
FIG. 5 — LIGHT SPECKLE / EMELINE BOWL
— N° 05

Light Speckle

Warm white glaze over a speckled stoneware body. Natural minerals in the clay bloom through the glaze in the firing, so no two pieces speckle alike. The body stays pale cream, the flecks read dark against it. Quiet, daily, endlessly usable. The neutral that shows everything else off.

FAMILY Speckled stoneware
FINISH Satin, naturally varied
FOOD Universal — all foods welcome
PAIRS WITH Cocoa, Terracotta
SHOP LIGHT SPECKLE →
— N° 06 / OBJECTS AVAILABLE ACROSS THE LINE
Dark Speckle
FIG. 6 — DARK SPECKLE / FREYA PASTA BOWL
— N° 06

Dark Speckle

A warmer, deeper cousin to Light Speckle. Warm white glaze over a speckled stoneware body, pulled from a reduction firing. Starved of oxygen, the clay deepens to a dark, smoked brown and the minerals in the body bloom through the glaze. Pulls weight against pale linens and lighter ware. The grounded note in the set.

FAMILY Speckled stoneware
FINISH Satin, naturally varied
FOOD Especially with autumnal foods
PAIRS WITH Mustard, Terracotta
SHOP DARK SPECKLE →
— ON THE PROCESS / 008

Glazes are mixed by hand, in small batches.

Every Forge glaze is tested before it earns a place in the line. Formulas run through dozens of test tiles, fired alongside production, until the color, the fit to the clay, and the wear all hold.

Batches are mixed small enough to use within a single production cycle. There is no master vat. Every order is fired with glaze mixed in the past few weeks. This is what lets us retire and relaunch glazes like Sage without carrying dead inventory.

Hand-mixed, hand-applied, small-batch. Each piece varies. The variance stays tight. No two pieces are identical. All pieces are recognizably Forge.